Terrence Malick is one of my favourite directors… no doubt. Although only having directed 5 films over a period of time covering 4 decades, his representations of life are so similar, yet so distant from ‘our reality’.
Putting aside, for now, the beautiful photography, the limited, essential screenplay and the perfectly adapted music, one can say that he IS one of today’s most talented and truthful directors.
We must consider that the type of film he makes is not , clearly, produced by a highly money-making production, it’s not meant for any commercial cinema and, from my point of view, his ideals follow a clear principle of poetic and fame-free business. Every film is personal to him.
Having started his career with ‘Badlands’ in 1973, he had just preceded the ‘explosion’ of the new type of movie-making in the mid to late 70s with Spielberg (Jaws), followed by Lucas (Star Wars) and Coppola (Apocalypse Now- The Godfather in 72),and so his masterpieces weren’t as noticed by the general public.
His style is unique. His technique consists in not following a linear story-line, but creating a mosaic that eventually fits perfectly together. Every character in every one of his films can be symbolically linked to an aspect of nature, which is what brings such familiarity to the characters, and what creates the link between them.
His latest creation, The Tree Of Life, is wonderful. You can see how he adapts to today’s advantages in the film industry (including special effects and CGI) while maintaining, always, his quality poeticism and style.
The meaning behind this film was guaranteed to be deep and fascinating… the auto-biographical story-line recalls ideas of religious and spiritual influence which clash with the clearly scientific creation of the world. However, the clash is barely noticeable as the two ‘views’ mould into one, magical bond representing life.
The creation of the Universe grows in a parallel fashion to the beautiful birth and growth of a child in Texas.
‘No film I have seen has shown childhood so perfectly’ says my father- who clearly would know better than I the feeling of looking back into his life as a child.
The view on childhood is so mysteriously (and at times frighteningly) represented, realistically but almost like a dream, or a distant memory. The accumulation of feelings, fears and emotions lead to a product of disappointment and, almost of frustration… when we see the ‘child’ as a grown man, we see another ‘creation’, a development from what we saw previously, a product of his experiences, teachings and a fruit of his memories and of the past (although maybe not entirely successful).
The spectator can’t help but notice particular details in the film which show various elements of life from the point of view of a child. As we become the child, we see things as drastic and unnecessary measures of leading onto life, especially within the family (the severity and discipline of the father), but added to this is our view as an ‘outsider’, and the realisation of the need and of the love for one another.
Just as in any Malick film, Nature plays its leading role (in the background, almost) and holds everything in place. The film shows nature: the Universe, as a creation, but also the world around us (and what we make of it) a creation of itself, and the ‘son’ of Nature. So as we see these parallel stories of life, we see the interpretation of the Big Bang as a family in Texas… followed by the outcomes who make us what\who we are.
Religion has a fundamental role in the story. Brought up in a religious family, Malick has his own space for an input of personal experience in the film. The interpretation of religion is taken seriously (within the family), and we see it as a pillar of hope and strength in the life of the characters, both in their youth and as adults. What I like about it is the way it doesn’t leave you with a feeling of necessarily having to believe in what is shown to understand the meaning of the film… the principle of it can be taken, I find, religiously, spiritually…and not even.
The reason I felt like giving a personal ‘critique’ on this film, other than the fact that I so much enjoyed it, is its title. The Tree has various meanings… the religious one of life, the open one of growth, and its metaphorical image (linked to the growth) of family. In the Buddhist religion, the Tree Of Life is what links the earth to the sky. The link between what is earthly, and what is not. As a whole, the tree represents Nature, the Universe, hope, life and creation all in one. I remembered the main screen of the IB Diploma website on my school account being a tree… in this case the tree of Adam and Eve, or the Tree of Knowledge, of good and evil.
Inspired by the film, and after falling in love with the beautiful cinematography, I based my Christmas art project on a similar ideal.
So as a conclusion I would strongly recommend seeing The Tree of Life, or any other Terrence Malick film.
As personal advertisement I’ll set the link to the trailer…
Hope you enjoy!